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25/5: media-art in eastern and central europe   26/5: networks! a look into the future  

Nina Czegledy, media artist, curator, writer

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Nina Czegledy, media artist, curator and writer, has collaborated on international projects, produced time based and digital works, and participated in workshops, forums and festivals worldwide. She has exhibited her work with the ICOLS group and toured with the Girls&Guns collective in East Europe.
Czegledy's latest Aurora Feast Public Art Project has been presented at Heureka the Finnish Science Centre, Finland. Resonance, the Electromagnetic Bodies Project, Digitized Bodies Virtual Spectacles and The Aurora Projects reflect her art&science&technology interest. These projects focus on the changing perception of the environment and the human body and are presented via on-line and on-site events.
Czegledy curated Code Zebra, Sifting Time, Shifting Space, for the Women Arts Resource Center, Toronto (2005) and the Reconnaissance, Finnish exhibition InterAcces,Toronto (2006).
Nina curated over 35 digital art/video programs presented in more than 25 countries and initiated Points of Entry, the first Canadian/ Australian/New Zealand digital arts collaboration. Her academic lectures and international conference presentations lead to numerous publications in books and journals worldwide.
Czegledy is the president of Critical Media, a Canadian based Knowledge Institute. She is a member of the LEAuthors as well as the Leonardo SpaceArt Network. An advisor to the UNESCO DigiArts Portal, a member of UNESCO's Arab States DigiArts and the Yasmin group. Nina Czegledy is a Senior Fellow at KMDI, University of Toronto, Adjunct Associate Professor at Concordia University, Montreal and the current Chair of the Inter Society for the Electronic Arts (ISEA).

interaccess.org/archives/aurora/
interaccess.org/archives/aurora/czegledy.html


 

 



 


"Contrary to the popular perception to consider the whole region as a single entity, the art presented here is a testament to the varying rate and degree of media art development in Central Europe"... more

 
There is nothing new about the concept of networks. From time immemorial, a diverse variety of networked models have been recognized as characteristic features of natural and man-made structures... more

 

 

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