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guy van belle/ xgz  

questions to guy van belle by the moderators of the BADA-panel

maja kuzmanovic and michael samyn     print
You often proclaimed that your work is all about collaboration and process. how does beauty come into this equation? How do you deal with making beauty in realtime, networked performances? Is there such a thing as 'democratic aesthetics'? Can different people's aesthetics connect or disconnect a piece together in distributed, networked situations? what is it about the 20th century that you find so appealing?




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